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| 原 文 |
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This paper attempts to investigate the issue of Taiwanese identity manifested in crafts. The main focus of this paper is the discourses of 'vernacularism' and the invention of 'native Taiwaneseness' constructed and imposed by the Japanese during the colonial period, which is followed by my analysis of its transformation and continuity into the postcolonial period. This is discussed from the perspective of colonial representation to postcolonial subjectivity. |
本文嘗試探討在工藝品中體現的台灣主體意識之議題。本文主要重點為「本土主義」論述與在日本殖民時期由日本人所創造與命名的「本土台灣人」概念，接著進行筆者對此論述進入後殖民時期之轉型與延續的分析。此分析是從殖民象徵到後殖民主體性的觀點切入討論。 | |||||
| As Taiwan's case suggests, ‘vernacularism' is a complex politico-cultural discourse, particularly in the colonial context. I would like to elucidate its complex nature by problematising its interdependence with Eurocentric historicity and modernity, as well as by pointing out how its transnationality and subversiveness leads to postcolonial subjectivity. | 如台灣的例子所指出，「本土主義」是一個複雜的政治 -- 文化論述，尤其是在殖民主義情境下。筆者要對其與歐洲中心的歷史性與現代性之間的互賴關係提出質疑以說明其本質的複雜性，同時並指出「本土主義」的跨國性與顛覆性如何引導台灣走向後殖民主體性。 | |||||
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